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Lent 1. Like David

First Sunday of Lent, Year A

2.7 to 9 January, from 3.1 to 7 * 51 * Ps Rom 5.12-19 * 4.1 to 11 Mt

2.15 to 17 January, from 3.1 to 13 10.1 to 13 * 1 Cor

Botticelli Temptation of Christ

Jesus is tempted by the devil, just like us. Ergo we are not alone even when we are tempted, Jesus is with us who are tempted, tempted.
Jesus struggles with the devil for us to teach us how to overcome his temptations. Jesus wins because of what "is written " ... not by bread alone (Deut 8:3), not put to the test ... (Deut. 6:16), worship the Lord ... (Deut. 6:13) "and at the end of the fight can be said to Satan," Go! "

Durer, Adam and Eve (1504)

Even the devil, poor man, has tried to use Scripture to Jesus groped when After bringing him to the pinnacle more top of the temple, said: " If you are the Son of God, throw down, it is written, his angels ... (Ps 91.11 to 12).
Many years before that, centuries and millennia ago, the devil had had his first victory, the original, thanks to his proverbial cunning, inventing the candy is poisoned. He repeated the words of God, good and sweet like candy, but altered, making them bitter and deadly as poison.
had met the woman, before then it was called Eve, which had asked if it was true that God had forbidden to eat of every tree of the garden. The devil, poor man, like the prohibition assoluto di mangiare, poiché lui essendo puro spirito non ha mai bisogno di magiare, mentre noi che siamo, per nostra fortuna, anime incarnate viviamo nel bisogno di nutrirci. Donna Eva, presa alla sprovvista, cercò di ricordarsi il racconto che gli aveva fatto poc'anzi il suo Adamo e veloce a parlare come poi tutte le sue figli, corresse il grosso e palese errore commesso astutamente dal diavolo: " Dei frutti degli alberi noi possiamo mangiare " (Gen 3,2). Fin quì tutto bene e allora continuò sicura: " ma del frutto dell'albero che sta in mezzo al giardino Dio ha detto... " e si fermò un attimo dubbiosa, oddio, non ricordo quale dei due alberi, ma oramai devo finire la frase troppo frettolosamente begun, will I ever learn to keep quiet and not speaking to the reptiles, but in fact, it's just a reptile and ended quickly, just as it had begun: "You shall not eat ... and do not you touch " (Gen 3.3). Donna Eva ran so fast even the Eternal Father, only adding to the ban: " not eat of the tree of knowledge of good and evil " (Gen 2:17), the prohibition of touch, so trendy, so spiritual dirty hands touching the dreary and a bit 'gross material creation!
Spiritualism Devil's ascetic fasting, but it did un'adepta with aggravating. To Eve's eyes, God is the source of the prohibitions, even in the second truth is that only his bag of flour. Donna Eva has thus built the first idol. Thus began the tradition of men both cursed by Jesus (cf. Mt 15.1 s) because it is a fierce competitor to the commandment of God that is only one: "I am the Lord your God" (Dt 6 13), you're my baby.
Adam, how often in history, is the figure of the doll. Unlike loquacissima partner, says nothing and is silent, yet he himself is the only direct witness of God's commandment That would be the time to remember the words that God has told its to him, remember the word and put the two beings who are adulterating God by reducing it to a dumb idol, which increasingly resembles Adam silence. Tace and eats what he knows is forbidden by God that the woman should be silent spoke, while Adam had said nothing about! The silence and the near absence of Adam, meaning the loss of memory of God is silent because Adam does not remember the words of the Lord, the only food that satisfies the hunger of man.

English Steps, King David

If you forget the word of God, Adam and Eve the commandment adultery, Today's Responsorial Psalm opens with the humble hope that King David in Miserere reaches one of the leaders of the religious poetry world. When the prophet Nathan came to him, on behalf of the Lord rebuked him, reminded him of the Word of God and David before the Lord is the opinion of himself, recognizes his sin and without restraint, no fear the Lord confess: " mercy on me, O God, in your love " (Ps 51.3).
The figure of David is the most important. Subjected to temptation, we can fall, as they really happen often, but not the thousands that count falls, as the answer we give to our own and others' failures. Not rinchiudiamoci like Adam and Eve in the sterile game of buck-passing, we take upon ourselves our faults as David and asking for mercy to Him who can forgive us because he has conquered Satan.

no temptation, more than human strength, has surprised you, God is trustworthy and will not let you be tempted beyond your strength, but along with the temptation will also provide the way out so that it can support (1 Cor 10:13)

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architectural Ecclesiology 6. Catholic Ecclesiology architectural spirit

Et et is the formula that best sums up the Catholic spirit, vice versa either / sums up the spirit of Protestantism. Catholic means' throughout the second "and refers primarily to the truth and the means of grace note that the Catholic Church receives from God and is home to lavish unfailing believers.

regard to our theme this means that repeatedly contrasted the terms involved in the liturgical and architectural discourse is not Catholic. Conversely, Catholics hold together the terms, et et : The church building is simultaneously domus ecclesiae and domus Dei, the two things can not be separated, are one inside the other, just as one can not separate the two natures of Christ. The Church is the social body, made of human relationships, of familiar faces, is a community of people who try to love the Lord and to love Him because He loved. The Church itself is the Temple of the Living God, a mystery that transcends time and space, creature of the Trinity, just holding together the two companies, domus ecclesiae and domus Dei, local community and the universal church, the Church may be, as is, " in Christ, the sacrament, a sign and instrument of intimate union with God "(LG 1).

The same goes for the mystery of the Eucharist, which not You can continue to oppose the dual nature of meal and sacrifice. The Eucharistic Sacrifice, the memorial of the one true bloodless and bloody sacrifice of the Cross, is closely oriented to the Eucharistic banquet as its prerequisite, since the only Christian High Priest is Jesus Christ who offers himself in eternal sacrifice so that their can eat his flesh and drink his blood and thus have life (Jn 6:53 s). So the altar shall be a true altar, above which hung the cross must stand and at the same time it must be the bridal banquet table, where they consume the eternal wedding of the bridegroom and the bride of Christ and the Church. In fact, if the sacrifice is the premise of the banquet, the banquet is the purpose of sacrifice.

Vatican Basilica of St. Peter

A more structured to be done about the vexed question of liturgical orientation and hence architectural. In fact, the liturgical orientation does not involve one and the same subject, but several channels, formed by the People of God and ordained minister who presides over it. While the people of God can not be always and only turned to God, spiritual and bodily attitude which is expressed with the turn eastward from the rising of the Sun of Justice, the Christian priests carry on their participation in the one priesthood of sacrametale Christ, in virtue of which participate in the mediation between God and men, is now coming together with God's holy people as its leaders and representatives, now turning to the People as representatives of God, his ministers.
This complex structure of the Church formed by the People of God, which also covers the hierarchy, and hierarchy, to which the people can not be reduced, it must also be reflected in the architectural shape of the church:

1. First, it must be precisely oriented in order to allow prayer directed to God and to shape it to the Church
2. also the altar-table should be unplugged from the wall to enable the priest to be able to ambulate around its four sides and thus occupy the two poles of its symbolic function as mediator, hours before the altar at the head of the People in prayer, now behind the altar facing the people as God's representative

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5. The faith necessary architectural artist

side door of the cathedral of Trent

I recently visited Trent and I was happily surprised by this solution knotted columns, I find both a description of the plastic faith, as well as live and I think the: the meeting of the sovereign freedom of God that is exposed and the small but certain human freedom and that it shall be saved.

Faith is the primordial reality in its complexity and dynamic that does not suffer any reductionism.

It is essential, because it is the first consequence of being creatures. Nobody has created for itself, each is created by God, then the Creator is the first ontologically, logically and chronologically creatures ; own as no one is conceived by him. The fact that each is in place in the world from someone else, says the absolutely lovely life, of being and existence of each creature. This gives rise to a spontaneous and total confidence decency towards those who have created the first effective sign sacramental image of the Creator.

Faith is universal, natural and supernatural. It is rooted in human trust, the first human feeling. On Codest natural feeling human grafts, the religious dimension of faith, bringing it to fruition with the opening to the size supernatural faith. This dimension is given by grace alone by God to reveal Himself , with whom God speaks personally, historically and freely to every man. Therefore faith is not a static reality that simplistic or not there, but is dynamic because it arises from the conversion and conversion lives. Conversion to the last breath that substantiates the life of the believer and that in time of divine patience, it redirects to God: "Sursum corda . Habemus ad Dominum, "reads the beginning of the Roman Missal, Preface.

Sagrada Familia, the facade of the Nativity Angels

faith to begin a work of ' Sacred art is only the germ, it is sufficient, in my humble opinion, only two conditions: the belief in the goodness / beauty of the world and the readiness to listen, or rather the refusal of closure biased and prejudicial to God who always speaks in many different ways (Heb 1:1 s). God provides the rest. Nothing more and nothing less.

This was the Japanese sculptor Etsuro Soto, who was a pagan temple was converted by the trespass of the Holy Family, building stone and light that materially and spiritually expresses Christian faith. The artist can be said when a Christian shapes the material to express the spiritual calling of the matter itself and transformed through the work of the artist, celebrate the glory of the living God. What matters is not the subject of art status compared to Creed, the fides quae creditur say whether he is a believer or not, what compliance che l'artista, credente o meno, porta al contenuto oggettivo della fede cristiana, la fides qua creditur .

       Ciò mostra il grande potere dell'ecclesiologia architettonica rettamente ispirata da un santo qual'è Antoni Gaudì. Ciò smentisce la tesi spiritualista e antimaterialista che riduce la Chiesa alla sola comunità di persone, disincarnandole dal loro stesso corpo e mondo. Viceversa  in principio c'è la santità di Dio e dei suoi santi, tra cui l'architetto Gaudì che secondo la verità trasmessa e dal libro della Natura e dal libro della Scrittura ha progettato e iniziato to build the Temple offering. From the official site of the Sagrada Familia I copied and translated the following information:

Etsuro Sotoo

Etsuro Sotoo arrived in Barcelona in 1978. Ever since I was a kid was very clear that he wanted to do in life: to carve the stone. So he decided to come to Europe, because here the stone culture is more alive. For the case entered the Sagrada Família and decided that this was the stone that he wanted to sculpt. This happened 31 years ago. His passion was so great that November 3, 1991 became a Catholic: his work in the Temple trespass brought him in contact with all the Christian symbolism and thus discover that the Sagrada Familia is an introduction to the Christian faith. He made sculptures of angels, singers and musicians from the facade of the Nativity, he oversaw the restoration of the cloister and the decoration for the windows in the shape of fruit. The fruits were placed according to the seasons: the east window at the corner of the facade of the Nativity, there are the fruits of summer: medlar, cherries, plums, peaches and apples. Windows on the western corner of the facade of the Passion, the winter fruits: chestnuts, persimmons, figs, almonds and pears.

Sagrada Familia, angel musicians on the facade of the Nativity

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Ecclesiology 4. Man becomes what it contemplates

rating on the current iconoclasm in Western churches, it may seem rash. Indeed years there rages fashion icons of the Eastern ... which precisely is just fashion (sic), so the mystery remains sealed Icons.

Duccio, Transfiguration

the occasion of the XII Centenary of the Second Council of Nicaea (878-1987) , the patriarch of Constantinople Dimitrios I , wrote an encyclical letter on the theology of icons, which condemns some distortions " reducing them to decorative elements " appreciated " only as works of art" and its reduction "to merchandise [...] according to the current methods of industrial reproduction ( Dimitrios I , The Council of Nicaea and the theology of icons , 28).

The secular West, but hungry for spiritual life, it retrieves the crumbs that fall from the richly laden table of the Christian, using the icons as mere "decorative " intolerable reduction and blasphemous to Orthodoxy, but already for those of us who have senses raped by smooth, uniform and flat, the (ab) use unitonale monochrome and color, ridottoti the aseptic white or gray concrete, simplified geometric shapes, reduced to empty concepts astrattti or deconstructed in tribute to the fads of the moment. Sometimes in the cold and unadorned contemporary churches, apparently abandoned and out of context, an icon shines in the lonely darkness liquid concrete poured in the box called church, giving even a faint hope to those who seek God

Then the Patriarch Dimitrios I reaffirms the necessary presence of three factors that you realize the mystery of the Icon: " the painter who puts into his subject [...] material creation in his capacity as special spiritual [...] the man who contemplates the image which becomes similar to that which is represented ( Idem, 31).

Michelangelo's Creation of Adam, Sistine Chapel

The iconographer contemplates the uncreated light that shines on the face of Christ and his work reveals field created by its spiritual function, the light becomes contemplative, contemplating written representation in iconography. Man, and contemplation, " becomes similar to that which is represented . This, unfortunately, it happens always, regardless of what is represented and how it is represented. Is because the man is not only what you eat (Feuerbach, The Mystery of Sacrifice), but also what he sees, as it is written of the idolaters: " Those who make them become like them and who trust in them! " (Ps 114.8).

The Fashion Icon on the one hand expresses the spiritual thirst that is rampant in western secularised the other paradoxically confirms the inability of Western contemplate, up from the visible to the invisible reality, because nothing is more data than the visible, into the narrow horizon which we have to. No vertical impulse, I dive into the depths, only one dimension, flat, boring and uniform as you die slowly, if ever lived. This is the main feature of the contemporary Church to the reduction of space only the horizontal plane, with the loss of height (dome, at a time) and length (the nave, apse), since for many centuries it has lost the dimension of depth (crypt).